Fiction and Politics

Characters are instruments and not just images or words.

The story as (spiritual) machine-inside-a-machine, endlessly. Thus character as frame for a meta-fiction, not the story within a story, but the story of the story. The character opens a new critical place within a narrative reality for the entrance of nomad elements from larger worlds.

The plot-as-frame yields a micro-fictional world, while the character-as-frame yields a macro-fictional juncture between interior and exterior: the book and the world.

A character is an ambiguous trace of reality-image.

The message within the message is not as important as the message around the (fake) message. Invert the desire for a self-directed message; and by revolutionizing this we acquire fictional individuation, a reading, a character, a hijacker-thought which leaps between the reader and the work backwards in time to create a thinking-subject which would always have been.

This retroactive infinity (of probability) is the actual materiality of the universe, which is all that exists.

Ourselves-as-characters is merely an illusion, an emptiness, a false signal, a meaningless trace. But characters-as-ourselves, however, is a towering and impossibly stable feeling, enormous, mythical, and deeply inspiring.

Most important, though, is that this fictional inversion turns out to be functionally or fundamentally true in a way which is difficult either to dismiss or explain. The political inversion retroactively founds all of human reality identically, but in reverse. To think politically is to conjure subjectivity into existence only so that it may be subjugated.

Lying

Words signify man's refusal to accept the world as it is.
Walter Kaufmann

Sometimes you've just got to look reality in the face and deny it.

Isn't hope found finally in a (socially positive) sort of 'lying', a clear-eyed courage and a deep spiritual assurance? This natural social impulse could be literalized as something like: "even though you can't help but be false, still always tell the truth." I think this is actually the very beginning of speech, as a disappearance of the truth which opens a space for discourse.

But because religion in this way essentially denies what is most apparent, that this world is ALL that exists (all that we can percieve as such as existing,) when religion tells us to tell the truth, it seems to be saying: interpret the world justly. Without justice there can't be freedom and discourse and peace.

When we lie, we betray the event. So "not lying" means not framing things in bad faith. Telling the truth is a sort of faithfulness to an event, and because events as such are a-social and non-signifying, reality must be interpreted through culture, that is-- at a distance, as an image, the way we approach the future, is how we approach new thoughts and so this question of having faith, of telling the truth, is really about how we can ethically create new realities through language and technology.